This is an arthouse action game from Finnish developer Remedy, masters of exactly this type of thing. It’s a sequel, however, so not only must it clear the high bar that its strikingly distinctive predecessor has set – it must also ideally arrive with a bushel of new ideas. There are clear and valuable strengths here in character progression and the lustrous presentation of its paranormal world, but Resonant doesn’t feel as enjoyably recondite or expansive in its influences as 2019’s Control did.
As you wander New York brandishing supernatural abilities against glowing orange foes, the sad sense creeps in that you might be playing any number of games. As paranormal event survivor Jesse Faden, your journey through the original Control was like a sequence of playable Twilight Zone episodes, battling prosaic household objects with supernatural properties that teased and twisted reality inside an endlessly fascinating supernatural government bureau called the Oldest House. You’d navigate architecturally impossible spaces bridging the subconscious and the bricks-and-mortar world, in order to defeat a malevolent fridge.
That’s broadly true again in Resonant, albeit with diminishing returns. This time you’re playing as Jesse’s brother Dylan, waking up after years of containment in the Oldest House to find its contents have escaped into downtown Manhattan. So you head out of the interesting place, and into a setting you’ve explored before in Marvel’s Spider-Man, The Division, Max Payne, and others ad infinitum.
It’s disappointing because being bewitchingly strange has historically been Remedy’s great strength. It’s not unusual for games to give a reverent nod to Twin Peaks now and then, but this studio is the alpha and omega of interactive Lynchian nightmares. It’s been refining that skill since 2001’s Max Payne, and at this point there’s really nobody better at nonlinear storytelling or unnerving dream sequences.
Remedy’s take on New York has an exhilaratingly free-form structure that lets you take on enemies, missions and places in roughly the order you want. The main missions are fairly rigid, but you can engage with the rest however and whenever you want. You fight a malevolent paranormal force with an imaginative collection of supernatural kung fu moves, whose power and combo potential level up satisfyingly.
Your shapeshifting weapon can take many forms, from a dagger-like blade to a scythe or a hammer. Secondary attacks, ranged weapons and passive abilities lend more interest to fights against paranormal entity the Hiss as time goes on, but compared to something like the surgically precise swordplay of Onimusha: Way of the Sword, battles feel a bit blunt here. Your ultimate tests come in the form of the Resonants themselves, a series of bosses lying in wait throughout Manhattan.
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