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Dan Tiernan: Quartz and All review – a furious comedy show about healing crystals

Dan Tiernan: Quartz and All review – a furious comedy show about healing crystals

theguardian.com 24.08.2026 06:00 3 views
Monkey Barrel Comedy, EdinburghThe frenetic Mancunian turns to quartz in search of inner peace – but his standup remains as crude and self-loathing as everI’ve seen two prominent comedians on this year’s fringe argue tha

I’ve seen two prominent comedians on this year’s fringe argue that your belief system is something you choose. Sign of the strange times, or just a way to justify some far-out comedy? Dan Tiernan’s show is certainly an extreme experience, as he discusses his interest – his faith, supposedly – in healing crystals.

Rose quartz for calm, black tourmaline for grounding. Hard not to remark that neither seems to be doing its job well. Tiernan is the least calm and grounded comedian imaginable.

You have to strap in for the ride at the Mancunian’s shows, and Quartz and All is no less so than its predecessors. It opens with Tiernan seething with his usual self-loathing, and cracking a fantastic gag about getting glasses. Now 30, he’s still ambivalent, bordering on hostile, about his sexuality and appearance: the healing crystals are a last resort, he argues, because only magic can redeem a man as freakish and unlovable as he.

Such arguments are his prerogative, and he brings his woebegone plight (so lonely, he’s “getting on boats just so someone will wave at me”) to often hilarious, blood-vessel-busting life. But in the shadow of Hannah Gadsby’s Nanette, that brand of internalised-bully comedy can be uneasy viewing. The show is not the leap forward for Tiernan that its nomination as outstanding show at the Melbourne comedy festival suggests.

His penchant for crude gags sometimes waylays him: see one gratuitous number about imagining himself as a Muslim. But there remains a great deal to enjoy. The material on his newfound new age tendencies leads to some amusingly splenetic back-and-forth with the crowd, and culminates in a lurid and absurd sketch of a man tyrannised by the ritual of cleansing and then charging his crystals, more distant than ever from the inner peace he was promised.

From a comic who, when good, is very good, there’s an excellent joke too about the butterfly effect and one of the all-time great callbacks, in which he finds himself imagining his own act performed by a hypothetical Chinese comedian. At such moments, Tiernan feels like a comic worth choosing to believe in.

Extract — continue reading at the source.

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