They are often free to visit but museums are bolstering their finances by putting their stamp on everything from upmarket hotel suites to trendy jumpsuits and virtual reality experiences. If you can afford the “from £724” price tag, you can spend the night in the Natural History Museum family suite at the Park Plaza London Riverbank hotel, which has an interior inspired by the museum’s founder, Sir Richard Owen, complete with Tyrannosaurus rex bunk beds. Deals such as this are becoming more commonplace as cultural institutions look to leverage their renowned collections and trusted brands in the face of funding cuts and rising costs.
Data shows that overall UK sales of licensed merchandise and services grew 7% to $19.2bn (£14.5bn) last year, according to the industry trade body Licensing International. A breakdown of the UK market figures shows that the “art property” category, which includes museums, grew by more than 8%, while “attractions and promotions” (which includes immersive experiences at museums and art galleries) soared by 53%. More recently it worked with the virtual reality experience company Sandbox on the prehistoric adventure Age of Dinosaurs.
The importance of licensing means a growing number of museums, galleries and heritage organisations are exhibiting at this week’s Brand Licensing Europe conference in London. New attenders include the National Gallery, the National Trust for Scotland, the Ashmolean Museum in Oxford and Tate Enterprises. They join the British Museum, the Natural History Museum, the Victoria and Albert Museum and the Imperial War Museum.
The competition is stiff, however, as the agenda includes talks on the “Bluey effect” and the new Harry Potter TV series. The huge demand for Bayeux tapestry tickets “demonstrates the appetite for major cultural moments, and the opportunity to build on that interest beyond a visit to the museum”, says Craig Bendle, the manager of product licensing at the British Museum. Indeed, the Bayeux tapestry merchandise created by its separate retail team, which includes a collaboration with the London department store Liberty, made it into Vogue.
Bendle reports growing interest from brands that want to create something “genuinely distinctive”, with the museum’s collection of more than 8m objects an “extraordinary source of inspiration”, he says. The V&A is also looking for novel ways to draw on its 2.8m objects. It launched 63 product ranges in 2025, which demonstrates the “growing role licensing plays in taking the V&A beyond our museum walls”, said Jen Maude-Roxby, its head of licensing and business development.
That programme includes William Morris-inspired phone cases with the tech accessories brand CASETiFY, and pictures for the art store of Samsung’s “the Frame” TV, which displays artworks when the TV is off, transforming the blank monitor into a picture.
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