There have been many quiet Mondays at the Burbank offices of Warner Bros. Pictures, usually following a bomb like the one the studio just suffered with Tom Cruise’s “Digger.” The cryptic eco-disaster project will represent a loss of hundreds of millions when all is said and done. But the silence this past Monday was compounded by a familiar wave of merger-induced grief, multiple sources told Variety, especially as employees observed WB Motion Picture Group co-head Pamela Abdy packing up her office in boxes.
In a move that shocked some, Abdy and co-head Michael De Luca were dismissed last week as David Ellison finally homed in on his acquisition of Warner Bros. De Luca and Abdy had been at the head of Warner’s film business for four years, delivering a wild series of strikes (“A Minecraft Movie”) and gutters (“The Bride!”). In addition to family photos and movie props, Abdy may have boxed up the remnants of a workplace tradition diluted by acquisitions and corporate unions over the past three decades.
Pictures is poised to undergo its most dramatic cultural transformation since the 1980s under the new leadership of Skydance CEO Ellison — and specifically, his motion picture group co-chairs Dana Goldberg and Josh Greenstein. The Ellison regime has revealed itself thus far as a shirtsleeve operation, one zeroed in on lowering costs and boosting profits. The preciousness and luxuries that made Warner Bros. a desirable home for creatives will be rightsized with tech ruthlessness, multiple high-level sources suggest.
Goldberg and Greenstein had only spent a year (albeit a productive one) as the heads of Paramount Pictures before this week’s announcement that they will preside over all film labels at the combined company. This means that De Luca and Abdy’s replacement will report into Goldberg and Greenstein, not the office of the CEO (as was the case under David Zaslav’s Discovery and John Stankey’s AT&T, for example). The power agent is alluding to Ellison’s commitment to release 30 theatrical films per year across both studios, an agreement he had to put in writing to get his merger over the finish line.
Lorenzo Di Bonaventura, who served as a top WB film executive from 1989 to 2002 before moving to Paramount to produce huge IP like “Transformers,” says the Skydance team’s dedication to movies is not just on paper. They’re now faced with the daunting task of further defining distinct identities for multiple WB labels like New Line and Clockwork. It’s managing capital allocation, but in a much more important sense, it’s managing artistic temperaments.
He’s extremely capable in both regards.” While detractors of Goldberg and Greenstein say they do not enjoy the kind of profile some competitors do on the byways of Los Angeles and in coastal elite circles, they’ve greenlit 20 films since taking office at Paramount. They’ve also signed talent deals with the Duffer Brothers, Will Smith, James Mangold, Jon M. Chu and Issa Rae (on top of a distribution pact with Legendary Entertainment).
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