Rachael “Raygun” Gunn says her performance at the 2024 Paris Olympics was “not as bad as I thought!” after the Sydney-based breaker revealed she had finally watched back the moment that catapulted her to international fame – and mockery. The Sydney academic turned speaker was Australia’s first Olympic breakdancer and became a viral sensation after her unconventional routine at Paris 2024, where she failed to receive a single point from the judges. In an interview with CNN published on Wednesday, Gunn explained her reaction to instant global notoriety.
It made me feel kind of sick in the stomach – this sense of dread. I just thought: ‘Surely, this is not actually happening. Surely, this is a weird, egotistical dream I’m having where I think my face is spread around the world.’ It was a really strange experience,” she told the network.
Speaking about the forthcoming Netflix documentary, Untold: Raygun: Breaking Badly, Gunn said she had enough distance from the Games to process the day and its impact on her mental health. Speaking to CNN this week, she revealed that she had since watched it in full. Gunn also reflected on what she had learned from the experience, saying: “I do think that we put in a little bit too much credence in online reactions.
But online is not the real world. I get absolutely rubbished online, but I get a very, very different response in person. It’s a completely different experience.
It’s in terms of how they perform, what they wear, what their body shape is – they’re too muscly, they’re not muscly enough, they’re too chubby, they’re too skinny.” The global reaction to Raygun included comedian Rachel Dratch dressing up as the breaker on the Jimmy Fallon show, while Australia’s prime minister, Anthony Albanese, praised the former cultural studies academic for having “a crack”. A proposed show, Raygun: The Musical, created by Steph Broadbridge, was cancelled by the breakdancer’s legal team, who sent notices to the production, ultimately leading to its demise. In an earlier statement, Gunn’s legal team said, “While we have immense respect for the credible work and effort that has gone into the development of the show, we must take necessary steps to safeguard Rachael’s creative rights and the integrity of her work.”
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