The State of Play inquiry, which is run by the UK House of Commons’ digital, culture, media and sport select committee, recently announced the five areas on which it will focus in 2026-27. One of these is: why are our Eurovision entries so bad? The word used by the chair, Dame Caroline Dinenage, was “dismal”, which is parliamentary speak for “shit”.
The evidence is all around. With the exceptions of Sam Ryder (second in 2022) and Jade Ewen (fifth in 2009), the UK has bumped along the bottom of the table in recent years, coming last in 2021 and 2026, second last in 2023 and 19th and 18th in 2025 and 2024 respectively. In four of those cases, the artist received no public votes at all.
Mindful that parliamentary inquiries always take roughly 10 times longer than seems reasonable and cost whatever number of pounds they ought to multiplied by a million, I’m going to suggest a couple of sub-categories. Why do all the other countries hate us, irrespective of the entry?And why do we seem to enjoy it so much that they do? Some of this is about core British values and some of it is about geopolitical orientation.
Sometimes those things interact in such a white-hot and contradictory way that it’s amazing no one has devised a way to give us minus points. A national underdog fetish drives the selection. Whomever we send, they cannot take themselves too seriously; they have to be self-mocking.
But that’s not enough: they have to be so absurd that they can’t generate the level of ridicule required alone. Our entry this year – by Sam Battle, AKA Look Mum No Computer – was no less catchy and flamboyant than many Scandinavian entries past, but some combination of trying too hard for the laugh (which was knowing and ironic) and trying too hard to speak German (“look, Mum, I – a Briton – can count to three in a foreign language”) did not translate into popularity. While we love an underdog, we also hate sincerity, which presents confusingly.
Come on, Britain, do you think you’re inferior or superior? Our refusal to pick a lane on this matter is another core British value. But however you articulate that – a love of ambiguity for its own sake?
Extract — continue reading at the source.
