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Former Telepool Chief Yoko Higuchi-Zitzmann, Filmmaker Mark Wachholz Launch AI Production Company Dreamkite Studios (EXCLUSIVE)

Former Telepool Chief Yoko Higuchi-Zitzmann, Filmmaker Mark Wachholz Launch AI Production Company Dreamkite Studios (EXCLUSIVE)

variety.com 10.09.2026 09:00 27 views
International media executive and producer Yoko Higuchi-Zitzmann and AI filmmaker Mark Wachholz have launched Dreamkite Studios, a Munich- and Berlin-based AI-native film studio, developing premium films, high-end TV ser

International media executive and producer Yoko Higuchi-Zitzmann and AI filmmaker Mark Wachholz have launched Dreamkite Studios, a Munich- and Berlin-based AI-native film studio, developing premium films, high-end TV series and IP-based short-form content. Dreamkite will combine generative AI with traditional filmmaking, employing professional directors and actors to create AI-first and hybrid productions. The company said it aims to become “one of the leading European premium film studios at the forefront of the rapidly evolving AI entertainment ecosystem, combining exceptional human storytelling, leading creative talent and a strong focus on European sovereignty and IP library.” Higuchi-Zitzmann, the company’s CEO and founder, is one of Germany’s most internationally experienced media executives and producers.

She served as CEO of Telepool, then part of Will Smith’s Westbrook. Before that, she was managing director of Matthias Schweighöfer’s Pantaleon Films and head of international acquisitions, sales and co-productions at Constantin Film. Her career includes internationally successful titles including the Oscar-winning “La Vie En Rose,” “Asterix at the Olympic Games,” “My Blind Date With Life,” which sold to 54 countries, and the RTL+ event series “Herzogpark.” Wachholz, who is chief creative director and co-founder, has worked as a writer across various media and genres for over 20 years, including television, video games and three fantasy novels.

In the past three years, he has become a leading creative voice in AI filmmaking. His 2025 AI film “The Cinema That Never Was” attracted attention from leading filmmakers such as Alex Proyas and John Gaeta, and won major international AI film awards, including Grand Prizes at the Omni International AI Film Festival, whose jury was headed by George Miller, and the Artefact AI Film Festival, chaired by Cédric Klapisch. At Dreamkite, Wachholz will “shape the studio’s core creative and aesthetic vision and develop ambitious original projects together with its international network of AI filmmakers and creative talent,” the company said.

Higuchi-Zitzmann said: “Human creativity is the most valuable thing we have, and AI is a powerful new tool for outstanding storytelling. Dreamkite Studios brings together exceptional creative talent, premium IP and cutting-edge technology to build a new generation of European entertainment. We want to use this technology responsibly, strengthen European sovereignty and create stories that inspire audiences around the world.” Wachholz added: “A new world needs new stories.

We are living in a time of rapid transformation and increasing speculation — about the present, the future, what we thought was true and what we hold dear. Stories are humanity’s way of capturing reality, creating truth and generating meaning. AI technology finally allows us to become much more ambitious, independent, and bold in the worlds we create and the projects we imagine.

At Dreamkite, we believe that the future of cinematic storytelling has only just begun.” CREATIVE TALENT ON BOARDDreamkite is developing projects with a network of AI filmmakers, directors and creative technologists – spanning AI filmmaking, animation, directing, commercial and advertisement production and creative technology. These include: Sylvia Nitzsche: A Berlin-based director and creative technologist specializing in AI-supported storytelling. Her work includes projects for clients such as Axel Springer and Universal Music.

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