Franz Kafka (July 3, 1883–June 3, 1924) was one of history’s most prolific and expressive practitioners of what Virginia Woolf called “the humane art.” Among the hundreds of epistles he penned during his short life were his beautiful and heartbreaking love letters and his magnificent missive to a childhood friend about what books do for the human soul. Although he imbued most with an extraordinary depth of introspective insight and self-revelation, none surpass the 47-page letter he wrote to his father, Hermann, in November of 1919 — the closest thing to an autobiography Kafka ever produced. A translation by Ernst Kaiser and Eithne Wilkins was posthumously published as Letter to His Father (public library) in 1966.
Prompted in large part by the dissolution of his engagement to Felice Bauer, in which Hermann’s active disapproval of the relationship was a toxic force and which resulted in the estrangement of father and son, 36-year-old Kafka set out to hold his father accountable for the emotional abuse, disorienting double standards, and constant disapprobation that branded his childhood — a measured yet fierce outburst of anguish and disappointment thirty years in the buildup. His litany of indictments is doubly harrowing in light of what psychologists have found in the decades since — that our early limbic contact with our parents profoundly shapes our character, laying down the wiring for emotional habits and patterns of connecting that greatly influence what we bring to all subsequent relationships in life, either expanding or contracting our capacity for “positivity resonance” depending on how nurturing or toxic those formative relationships were. For those of us with similar experiences, be it inflicted by a patriarch or a matriarch, Kafka’s letter to his father is at once excruciating in its deep resonance and strangely comforting in its validation of shared reality.
You asked me recently why I maintain that I am afraid of you. As usual, I was unable to think of any answer to your question, partly for the very reason that I am afraid of you, and partly because an explanation of the grounds for this fear would mean going into far more details than I could even approximately keep in mind while talking. And if I now try to give you an answer in writing, it will still be very incomplete, because, even in writing, this fear and its consequences hamper me in relation to you and because the magnitude of the subject goes far beyond the scope of my memory and power of reasoning.
Kafka paints the backdrop of his father’s emotional tyranny and lays out what he hopes the letter would accomplish for both of them: To you the matter always seemed very simple, at least in so far as you talked about it in front of me, and indiscriminately in front of many other people. It looked to you more or less as follows: you have worked hard all your life, have sacrificed everything for your children, above all for me, consequently I have lived high and handsome, have been completely at liberty to learn whatever I wanted, and have had no cause for material worries, which means worries of any kind at all. You have not expected any gratitude for this, knowing what “children’s gratitude” is like, but have expected at least some sort of obligingness, some sign of sympathy.
Instead I have always hidden from you, in my room, among my books, with crazy friends, or with extravagant ideas… If you sum up your judgment of me, the result you get is that, although you don’t charge me with anything downright improper or wicked (with the exception perhaps of my latest marriage plan), you do charge me with coldness, estrangement, and ingratitude. And, what is more, you charge me with it in such a way as to make it seem my fault, as though I might have been able, with something like a touch on the steering wheel, to make everything quite different, while you aren’t in the slightest to blame, unless it be for having been too good to me. This, your usual way of representing it, I regard as accurate only in so far as I too believe you are entirely blameless in the matter of our estrangement.
But I am equally entirely blameless. If I could get you to acknowledge this, then what would be possible is — not, I think, a new life, we are both much too old for that — but still, a kind of peace; no cessation, but still, a diminution of your unceasing reproaches. But this is where the similarity ends.
Extract — continue reading at the source.