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“You Have to Love It.” Brittany Cavallaro on Writing for Young Adults

“You Have to Love It.” Brittany Cavallaro on Writing for Young Adults

lithub.com 02.10.2026 11:16 2 views
Like Sylvie, the protagonist of my new novel, Wayfarers, I grew up in downstate cornfield Illinois, where I was an odd duck in a small pond. I was always reading, always writing. Poetry, and stories, and two-hundred page

Like Sylvie, the protagonist of my new novel, Wayfarers, I grew up in downstate cornfield Illinois, where I was an odd duck in a small pond. I was always reading, always writing. Poetry, and stories, and two-hundred page novels about Sphinxes and bottomless pits and killer tornadoes.

I was terrified of tornadoes, actually—I think a lot of kids growing up in central Illinois were, and are—and so, in fifth grade, I wrote a novel about a civilization that had moved underground (literally). Madonia, saw me working on it, probably when I shouldn’t have, and offered to read it. I gave her this giant doorstop of a book, and a bunch of bad poetry about my middle school heartaches, and I remember her returning it the next day.

You could do this, she told me. Now that I’m a teacher too, I think about her putting that giant stack of paper in her briefcase. Bringing it home over the weekend, to her house, and settling down on her couch with a cup of tea, or in her chair by the window.

Carving out hours of her own time to read what, let’s face it, was definitely not the Next Great American Novel. And all because she saw me for who I was: a little girl who loved something, who needed someone else to tell her it was okay to love it. That it was good to love it.

After college, I spent ten years in grad school, taking writing workshops and teaching undergrads poetry and fiction. I loved those classes, but I lived for the summers, when I taught at a gifted program for high schoolers. Five weeks with the same class, eight-thirty in the morning until two-thirty in the afternoon.

I’d have eight, or nine, or ten kids, from all over the country and, sometimes, from all over the world, and for those five weeks we would eat and breathe fiction and poetry. They wrote encyclopedias about the intricacies of their families and their imagined futures; poetry about love, and change, and the politics of having a body; stories made up of emails sent into the void, letters stuffed into the mailbox of someone not writing back. They wrote furiously, passionately, impossibly well.

Extract — continue reading at the source.

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